New Canadian Stage season announced

Features collaboration between Jordan Tannahill and Matjash Mrozewski


Canadian Stage’s 2015/16 season will include a collaboration between Jordan Tannahill and ballet-choreographer-turned-theatre-director Matjash Mrozewski. Commissioned to write two one-act plays staged back to back, Tannahill’s gone classical. Botticelli in the Fire is a retelling of one chapter in the life of the queer Renaissance painter, when Botticelli is accused of being a “sodomite.” Sunday in Sodom moves further back in time, reimagining the story of Lot’s wife (the woman turned into a pillar of salt when she looks back at God’s destruction of Sodom). In this version, instead of God destroying her village, it’s American drone strikes.

Mrozewski will direct one of the plays alongside new Torontonian Estelle Shook.

We caught up with Tannahill and Mrozewski to talk about their fledging friendship and their leap into the unknown.

This will be your first time working together. What do you know about each other’s work?

Tannahill: I haven’t seen any of Matjash’s work, unfortunately. But I have a feeling his choreographic sensibilities will be ideally suited for this piece.

Mrozewski: I’ve also never seen anything Jordan’s made, though since he friended me on Facebook a while ago, I’ve been aware of the stream of accolades that follow him around. I haven’t actually even read a draft of the plays yet, but I trust he’s going to give me something great to work with.

Working at Canadian Stage is new for both of you. What are your hopes and dreams for the process?

Tannahill: This is the most thrilling and terrifying challenge in my career. It’s the largest and highest profile production of my work to date. With that comes both the opportunity to very clearly articulate my artistic voice and also to fail spectacularly. But I’m excited. I feel in very good hands.

Mrozewski: I spent over two decades of my life in dance before I started working in theatre, so everything feels really new for me all over again. I’m excited, but I also have no idea what’s going to happen. Anything I can say about the process is just a guess.

Botticelli in the Fire and Sunday in Sodom
Tues, April 26–Sun, May 15, 2016
canadianstage.com

Chris Dupuis

Chris Dupuis is a writer and curator originally from Toronto.

Keep Reading

Queer films to watch out for this spring and summer

From a theatre troupe in a maximum-security prison to hot bisexuals sweating it out on the tennis court, spring and summer have plenty of queer cinematic fare to offer

‘RuPaul’s Drag Race’ Season 16, Episode 15 power ranking: Losing is the new winning for one queen

Who is the champion of this season’s LaLaPaRuZa tournament?

‘RuPaul’s Drag Race’ Season 16, Episode 15 recap: LaLaRuUnion

Our eliminated queens are back to battle it out in a lip sync tournament

‘RuPaul’s Drag Race’ Season 16, Episode 14 power ranking: The final three

For the first time since Season 12— and the first time intentionally since Season 8—we have just three queens in the finale